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By providing my contact information above and pressing the Submit button below, I agree to be contacted directly via emails, texts and/or telephone calls by a Warner Bros. representative regarding Advance Opening Theater Buyouts for the Just Mercy motion picture. Message and data rates may apply. Consent not required to make a purchase. Texts may be sent via auto-dialer. For text messages, text STOP to stop, HELP for help

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Just Mercy
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  • tsuowatasu
    tsuowatasu

    By providing my contact information above and pressing the Submit button below, I agree to be contacted directly via emails, texts and/or telephone calls by a Warner Bros. representative regarding Advance Opening Theater Buyouts for the Just Mercy motion picture. Message and data rates may apply. Consent not required to make a purchase. Texts may be sent via auto-dialer. For text messages, text STOP to stop, HELP for help

  • tsuowatasu
    tsuowatasu

    Thank you! Your Advance Buyout request has been successfully submitted and a representative will contact you shortly to finalize arrangements.

  • tsuowatasu
    tsuowatasu

    Movies | ‘Just Mercy’ Review: Echoes of Jim Crow on Alabama’s Death Row Jamie Foxx and Michael B. Jordan star in an adaptation of a memoir by the civil rights lawyer Bryan Stevenson. Video transcript transcript ‘Just Mercy’ | Anatomy of a Scene Destin Daniel Cretton narrates a sequence from his film, featuring Jamie Foxx and Rob Morgan. “Hi, my name is Destin Cretton. I’m the director of ‘Just Mercy. ’ This is a scene between Walter McMillian. Played by Jamie Foxx, and Herbert Richardson, played by Rob Morgan. And they are in cells on death row in Alabama. They share a wall. They’re directly next to each other. And one of the really interesting things that I learned from speaking with Anthony Ray Hinton, who was on death row in Holman Prison for 30 years for a crime he did not commit, was the camaraderie and relationships that they had between jailmates that were completely based on conversations they were having without being able to see each other. Bryan Stevenson said in his book that you cannot really fully understand a problem unless you allow yourself to get very close to it. And that was something that we were playing with with the camera, was leading up to this very scene. The cameras started off wider on these characters. And this was the scene where we actually bring the camera as close as possible to both Walter McMillian and Herbert Richardson. And I mean, you’ll see how close we are. Their eyes are in focus. Their nose is out of focus. And the camera was literally a couple inches from their faces. ” “In and out. ” [BREATHING DEEPLY] “Now close your eyes. ” “Our DP, Brett Pollock, was really wanting to shoot all of these jail cells scenes as close to reality as possible. So in this scene in particular, there really is just the light source that’s coming in from outside the jail cell, which gives this kind of amber hue. That is really going to be a big contrast to the moment when we go outside through Walter McMillian’s escape vision in his mind that take