Portrait de la jeune fille en
トーク情報- kigurifuki
kigurifuki There are many interesting things in this film, but I think its charm comes in particular from the sincerity and lack of emphasis with which the relationship between the two girls is described - the discovery of the other but first of all the self-discovery of each one, the hesitations and the joy of being in each other. find in the other. Beautiful and convincing. The image is beautiful, almost every frame is elaborately elaborated in color and composition. The source of inspiration is the art of the period in which the action takes place, the avant-garde art of that period I would say, because it iuses the palette of artists who would dominate French art until the middle of the 19th century - Gericault, Millet, Corot. The film does not have a music soundtrack, but the music itself plays an important role, which deserves to be discovered when watching. The political message is clear and assertive, and we cannot help but sympathize with those women, each forced to face her own destiny alone, a century before women's rights became a topical issue in Europe. 'Portrait de la jeune fille en feu' is a film about art, about love, about the place of women in the world. A movie that deserves being looked for and seen.
- kigurifuki
kigurifuki Bu ne ulan Bu ne ulan Bu ne ulan yeter Biraak pesimiii siraa beeendeeeee ceeekil onuuumdeeeen ahaaa siimdiij siiiictiin lee ju fiillle en duuu.
- kigurifuki
kigurifuki Intelligente, brillante, rebelle, charismatique et, c'est pas sa faute, belle: la plus grande actrice du cinéma français actuelle.
- kigurifuki
kigurifuki What is your favorite book by Bourdieu (a french sociologist. a : I red many books by Bourdieu but la domination masculine (male domination) is very good. This book is very complete and it shows a way the domination applies by transforming the history of some things (I'm sorry if it's not clear. It transforms things by using it always happened like that and it's really an argument of domination, that we can find everywhere. q : how do you feel about owning the Cesar Award for Best Actress ? a : I was really happy... My answer is stupid xD but in reality the Cesar that touched me the most was the one that I received for the best supporting role. The Cesar for les combattantes, I was really happy but I wasn't affected like I was for the cesar for Suzanne. q : What is your favorite philosopher ? a : Barthes. Because I love all he do. He is between the pure reflection and the heat, there is something of the order of flavor in what it offers. I feel like he's my grandpa. q : How was it to play in a comedy ? a : It's true that we thing we have to overreacting to be comic, whereas in the movie here, the comic works a lot by unlearning. Not by doing more but by doing less. q : Who is your mentor in the comedy ? a : Jim Carrey. He is amazing, he is totally crazy. He looks like Pio... He goes super deep in the scenes but without being did you see me (I don't know if it exist in English, it's a french expression that means pretentious) look how I know how to do well etc. When in dumb and dumber he goes out of the dream by imitating the fish for example, it's amazing! q : Is it you the new Catherine Deneuve (a french old actress. a : mmmh I don't know. She is someone very admirable in her career, Catherine Deneuve... So for now well rather look at our feet and try to continue to move forward. q : What are your futur projects ? a : First I'll do a movie with Céline Sciamma named portrait of a lady in fire (❤❤) and then I'll do theater with Gisèle Vienne, from an author named Rob